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张冬城笑嘻嘻地说：我也觉得第二个比较好这下来还相对容易些上去可就没这么快了我们还好说士兵光是爬上去就得把体力花光天阳补充道：而且上面剩下的战...两人连忙发动机车朝着裂谷相反的方向开机车在落石和石柱之间穿棱着他们都听到身后传来带有怒火的啸叫猛地从浓烟里扑出一个硕大的脑袋来看不清是男是... 详情
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黑手套 红手套
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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