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不过转回脸儿来他还是小心的对高爽提醒道：高导我觉得吧你这个想法有些过于跳脱了要不……再考虑考虑可是你这个搞法儿肯定得完蛋的这都是多少代电影...随后听起来有些细碎零散的拨弦更是让于承安脑海中不自觉闪现出了电影中那个堪称经典的抢劫姿势如果说高爽这部电影在观影阶段有哪几支配乐的出现让人印象格... 详情
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阻止叶子下落
小王子彩蛋卖一波情怀服化道可以（作为一部时装片到是合格的可惜这是超英泰坦尼克号删减版观看是漫威的超英啊）布景特效跟隔壁黑亚当一比怎么有种捉襟见肘的小家子气因为疫情没钱了吗故事和人设不提也罢又长又臭
霖若水
Windom Earle as the embodied evil. BOB as the metaphysical evil. Dealing with the former makes for an embarrassing melodrama. Lynch knows the discussion of good/evil is meaningful only on a surreal level. And that's why Earle is so instantly dismissed as trivial in Lynch's Red Room. A kind of authorial revenge for the derailed episodes.
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